legal
Adam Sweeting
Will Silk make it to series two, or will it feel the wrath of BBC One's mad axeman, Danny Cohen? The former, we fervently hope. Despite some implausible incidents and occasionally silly plotlines, Peter Moffat's battling-barristers drama reached the end of its first series looking stronger than when it started.Much credit for this must go to Maxine Peake's superb portrayal of Martha Costello, the pugnacious girl from the north country pitted against Rupert Penry-Jones's smooth and superior Clive Reader, as both of them strive for that coveted elevation to QC. It was difficult not to feel Read more ...
Adam Sweeting
Former Los Angeles Times crime reporter Michael Connelly struck gold with his books about LAPD detective Harry Bosch, before pulling a deft gear-change with the creation of criminal defence attorney Mickey Haller in The Lincoln Lawyer. The movie version, directed by Brad Furman and scripted by film and TV veteran John Romano, sticks pretty close to Connelly's novel, even if Matthew McConaughey's lead character has mysteriously morphed from Mickey to Mick.Though rooted in a familiar low-life Los Angeles peopled by surly cops, hookers, petty criminals and irascible prosecutors, the film lifts Read more ...
Jasper Rees
There was a moment in last night’s Silk when a young solicitor turned up late for a trial. He was also an actor, he explained to his client’s counsel, and had to attend an audition. For a Head & Shoulders ad. The USP of Peter Moffat’s courtroom dramas is that, more than any writer since John Mortimer, he knows whereof he speaks. Having once been a barrister himself, the serpentine ins and outs of chambers, the politicking and skulduggery etc etc are his area of expertise. So you take it on trust that the events dramatised here are the truth and nothing but.Thus a barrister Read more ...
Adam Sweeting
The legal drama has become a staple of stage and screen, for a variety of excellent reasons. All of human life really is there, from love and hate to good and evil, crammed into the claustrophobic cockpit of the courtroom. Adding an extra squirt of kerosene to an already explosive mix is the fact that, as Dr Gregory House likes to say, “Everybody lies.”The latest cab on the telly-lawyer rank is Silk, BBC One’s sizzling new six-parter from Peter Moffat. A former barrister himself, Moffat has carved out a prestigious legally orientated screenwriting career, which has taken him from Kavanagh Read more ...
Adam Sweeting
The real-life story behind Conviction had a big balloon over its head saying “Hollywood screenplay!!!”, and sure enough here’s director Tony Goldwyn’s big-screen version, with Hilary Swank striding out front carrying the banner for truth, justice and the supernatural properties of sibling devotion. There’s no denying it’s an incredible story.Swank plays Betty Anne Waters, a working-class woman from rural Massachusetts (a region depicted here as startlingly primitive and impoverished) who shared an unusually close bond with her brother Kenny (Sam Rockwell) after the pair of them had endured a Read more ...
Adam Sweeting
What better to brighten our morbid January nights than the return of this superior Chicago-based legal drama? The Good Wife has never attracted lurid publicity or been afflicted with cutting-edge trendiness, but instead relies on the somewhat Germanic characteristics of being fastidiously designed and impeccably constructed.Co-creators Robert and Michelle King and executive producers Tony and Ridley Scott have grasped the importance of building the show on pin-sharp writing allied with sympathetic casting, with the result that The Good Wife consistently achieves a seamless balance between Read more ...
edward.seckerson
It has been said that making money is music to the ears of any entrepreneur. In the case of Ian Rosenblatt you might need to turn that concept on its head. The music itself is his passion and the financial losses he routinely absorbs in pursuit of musical excellence is for him a small price worth paying. Well, not so small actually: through Rosenblatt Solicitors - his prestigious City law firm - he spends around £400,000 a year financing the Rosenblatt Recital Series, a now internationally recognised platform for up-and-coming operatic talent. Major young singers of today, stars of tomorrow. Read more ...
Matt Wolf
So much of this London theatre year has been spent watching American work that it's doubly bracing to find some genuine English dramatic rediscoveries interspersed amongst The Prisoner of Second Avenue and La Bête one month, Clybourne Park and (still to open) Deathtrap another.The high point of the 2010 National Theatre repertoire to date has been After the Dance, Terence Rattigan's extraordinarily wounding yet also funny look at a community on the verge of self-immolation. And now comes the chamber-sized Orange Tree Theatre in Richmond with a production that is scarcely less rewarding: The Read more ...
gerard.gilbert
The new series of the Glenn Close litigation drama Damages began like the previous two series of Damages – in the future tense. Someone deliberately slammed their car into the side of Patty Hewes’s car, and a grisly discovery was made in a wheelie bin. How we get to this dénouement will be revealed over the next three months. Am I up for such a commitment? Because miss just 10 minutes of this tortuous legal thriller and you’re up the proverbial creek. It’s easy to see why Damages does extraordinarily well in DVD box-set sales – if you’re going to get hooked, then it’s good to have some Read more ...