Jewish culture
aleks.sierz
Arthur Miller is one of those geniuses whose plays are metaphor-rich even when their storytelling is slow. First staged in 1994, Broken Glass is surely his best late-period drama, and this revival, directed by Iqbal Khan, arrives in the West End after originally opening at the Tricycle Theatre last year. This time, the ever-watchable Tara Fitzgerald joins Antony Sher in the cast.Set in Brooklyn in 1938, the play is like a case history from a cabinet in Sigmund Freud’s practice. A middle-aged woman, Sylvia Gellburg, suffers from a sudden and mysterious paralysis of her legs. She is confined to Read more ...
igor.toronyilalic
Police. Placards. Protests. And bag checks. It meant only one thing. Jews were performing at the Proms. Here we were in the Royal Albert Hall in London in 2011 witnessing a stage of musicians being barracked and abused for having the gall to be Jewish. Last year, four more Jewish musicians, the Jerusalem Quartet, had the cheek to perform and broadcast a recital at the Wigmore Hall. They were again heckled and hounded off air. No, not a portrait of Europe in the early 20th century, but Britain in the 21st. I wonder. In a few years, will Jews be able to make music publicly in Britain at all?If Read more ...
Jasper Rees
When I interviewed the great Hungarian film-maker István Szabó (b 1938) in his native Budapest, he took me on a tour of the city centre on the Pest side of the Danube. On the way we were distracted by a flashy café designed to lure tourists. It was called Mephisto – after the film by Szabó, presumably, which won the Oscar for Best Foreign Film in 1981. “I don’t know if it’s named after the film," he said, "but I think it must be because they have used the same typeface.” Then he added, “I’ve never been in there.”Mephisto, based on Klaus Mann's novel, tells of a brilliant Brechtian actor Read more ...
Adam Sweeting
Out of the blue, in the middle of the midsummer slump, came this unusual and original one-off play (I say "play" because it would convert naturally to the stage). Finding a new angle from which to explore Hitler and the Nazis might seem impossible, since few subjects have had their bones picked clean more obsessively. A keg of schnapps, then, to writer Mark Hayhurst, who successfully pulled this one out of his hat.Ed Stoppard played Hans Litten, a young left-leaning Jewish barrister in Berlin at the start of the Thirties. Not a great time for Germany, obviously (described as "a failing Read more ...
igor.toronyilalic
We critics often find ourselves "embarrassed by historical facts", as Craig Raine once put it. Raine was trying to explain why so many people still value Wilfred Owen's poetry - to him, the most overrated corpus of the 20th century. "[Owen's] life and death as a soldier make literary criticism seem invalid and pedantic," he argued, before proceeding to a very validly pedantic demolition job. Music has its own Wilfred Owens. Viktor Ullmann is one. His reputation (which was showcased last night in a rare staging of his only opera, The Emperor of Atlantis, at the Arcola Theatre) seems to Read more ...
josh.spero
Your typical consumer of Who Do You Think You Are? on BBC One would almost certainly have been disappointed by last night's first instalment of the eighth series. There were no tears from June Brown, EastEnders' Dot Cotton, for a start. That is as it should be: what we got was a model of keen yet detached historical research, nothing from which Brown was going to take life-changing lessons, which is how facile this series can be.This programme was intriguing first off because it was not looking at even vaguely recent history; Brown started with her (forgive me if I get this wrong) great-great Read more ...
Matt Wolf
History rears its harrowing head in Sarah's Key, a sometimes galumphing film that lingers in the mind not least because of the terrible tale it has to tell. Reminding us that the atrocities of the Holocaust weren't any one country's exclusive preserve, the film chronicles both the eponymous Sarah, a young girl who survives the French internment camps, and Julia, a Paris-based American journalist in the modern day whose life is taken over by Sarah's story. Are the film's two parts of equal value? Let's just say that fiction yet again is trumped by fact.That the contemporary sequences achieve Read more ...
Adam Sweeting
Great idea. Geeky Hasidic kid from Brooklyn's claustrophobic Jewish community finds his attention wandering during his rabbinical studies, and falls under the raffish spell of the older and wilder Yosef Zimmerman. He finds the slope is slippery indeed, and with head-spinning speed he's enmeshed in a transatlantic drug-mule racket. He's making big piles of wedge, but losing his immortal soul in the process.Kevin Asch's directorial debut, which is based on the true story of a team of Hasidic smugglers who imported a million Ecstasy tablets from Amsterdam to the USA in 1998-99, has potential in Read more ...
Matt Wolf
"Love comes now. You have to start with love," urges Sarah Kahn (Samantha Spiro) early in Chicken Soup With Barley, and it's inconceivable that Dominic Cooke's knockout production of Arnold Wesker's 1958 play could have sprung from any other starting point. There's talk later in Wesker's three acts (taken here with only one interval) of seeing people in the round, which is exactly what the writing, not to mention Cooke's superlative ensemble, manages to do: the political and the personal conjoined in a compassion that one might describe as clear-eyed if only it didn't prompt from an audience Read more ...
alexandra.coghlan
They say that old sins cast long shadows, but these are nothing compared to the shadows cast by old productions. To set Verdi’s Rigoletto in 1950s America inevitably courts comparison with that operatic patriarch, Jonathan Miller’s New York Mafia reworking. That the setting here in Daniel Slater’s revived Grange Park production should be explicitly LA, his Mafiosi transformed into corrupt LAPD cops, should make more difference than it actually does. The result, however, looks and feels remarkably similar, struggling – unfairly – to claim its own turf and escape comparison.Grange Park has a Read more ...
josh.spero
Although in perhaps a less ostentatious manner than is familiar from Louis Theroux's documentaries, BBC Two's Wonderland last night nevertheless took the well-worn path of finding an odd-seeming community and examining its customs, morals and characters. In this case, it was the 20,000 Hasidic Jews of Stamford Hill, north-east London, who - we were led to believe - had some pretty funny ideas about love.The superficial oddities of the culture must have seemed so inviting to the film-maker, Paddy Wivell: pious observance of hundreds of biblical rules of behaviour, from circumcision to Read more ...
aleks.sierz
Home truths have a unique power to grab at your entrails and tear at your peace of mind. But so often, in so many families, the truth remains too painful to acknowledge, and togetherness is bought by means of keeping secrets. And, of course, in any family drama worth its salt, those secrets will inevitably come tumbling out. On stage, the effect can be both thrilling and emotionally powerful, as evidenced by Ryan Craig’s excellent new play, which opened last night at the National Theatre.Set entirely in the Rosenberg home in Edgware, the story begins with a visit from the local rabbi on the Read more ...