jazz
Sebastian Scotney
New Orleans “is not a music business city, it’s a music culture city,” says David Shaw of The Revivalists, one of the interviewees in Jazz Fest: A New Orleans Story.This documentary sets out to describe that multiracial culture and heritage through the particular prism of the New Orleans Jazz & Heritage Festival, known as “Jazz Fest”, which is held on the last weekend in April and the first weekend in May. It had a celebratory fiftieth anniversary edition in 2019 before being forced to close for two years by the pandemic.The film does a good job of explaining the festival’s Read more ...
Tim Cumming
Reuniting with Russ Titelman, the producer of her eponymous 1979 debut and its follow-up 1981’s Pirates, Rickie Lee Jones approaches the great American songbook as if she was reuniting with an old flame, the thrill of it smouldering and concentrating itself in 10 elegant, soulful jazz-blues performances. These Pieces of Treasure open with the shimmering vibes of “Just in Time”, takes in a very different realisation of “Nature Boy”, a languid version of “One for My Baby” that burns the midnight oil, and closes up shop with a walk on “The Sunny Side of the Street” and “It’s All in the Game Read more ...
peter.quinn
The seed for this wonderful third album on ACT from the Vancouver-born vocalist, pianist and songwriter Laila Biali was first sown in 2013 when, in advance of a gig in the Canadian port city of Hamilton, she opened up the floor and asked fans what songs they’d like to hear her sing. Cue a deluge of requests.A trio of these suggestions – beautiful reharmonisations of Coldplay’s “Yellow” and David Bowie’s “Let’s Dance”, plus a ruminative take on Randy Newman’s “I Think It’s Going To Rain Today” – ended up on Biali’s impressive 12-song, self-titled ACT debut released in 2018, for which she Read more ...
mark.kidel
Four trombones, four trumpets and five saxophones, six percussionists – this Afro-Cuban inspired band packs an irresistible punch and it’s loud! This is a big band sound that revives the glory days of Tito Puente and Dizzy Gillespie, a 1940s fusion of Latin and jazz, as incendiary as it comes. A true wonder that London should produce music of this power and vibrancy, but the New Regency Orchestra (NRO) do just that, keeping the energy going for the full length of a 90-minute set.Deep in the heart of lively Hackney Wick, throbbing with the party excitement of a Saturday night, the NRO Read more ...
Guy Oddy
It’s 25 years since Lonnie Liston Smith last released an album. But this a man who earned his musical stripes with Miles Davis and Pharaoh Sanders, pretty much invented Jazz Funk with the Cosmic Echoes in the 1970s and then helped to reboot hip-hop with Guru and Digable Planets in the 1990s – and so, you pretty much take what you’re given and are thankful for it when dealing with such a musical titan.JID017, an album produced in collaboration with A Tribe Called Quest’s Ali Shaheed Muhammed and film score composer Adrian Younge for their long-running label Jazz Is Dead, is a smooth mix of Read more ...
Thomas H. Green
24 years since their last album, it’s pleasing to have Everything But The Girl back. That voice! They were conceived amidst post-post-punk “new pop” conceptualism, consistently made hit albums for 15 years, and only quit because they’d become bored of the naff entertainment industry circus. Happily, as only happens with a few bands who reappear after decades, Fuse does not disappoint.Also happily, it’s not the sound of a once-successful unit settling on their laurels. In the period since they were last Everything But The Girl, Ben Watt and Tracey Thorn have written compulsive books and Read more ...
Thomas H. Green
Record Store Day is nearly here. At theartsdesk on Vinyl we have a selection of goodies which are appearing exclusively in record shops. See anything you fancy?THEARTSDESK ON VINYL’S VINYL OF RECORD STORE DAY APRIL 2023Suicide A Way of Life Rareties (BMG)With Suicide’s underrated 1988 album A Way of Life heading for reissue, this Record Store Day release amps the anticipation with a four-track 12” of associated odds’n’ends. It opens with a live version of, supposedly, Bruce Springsteen’s “Born in the USA”, but it is, in fact, frontman Alan Vega vamping around songs including Fats Domino’s “ Read more ...
Thomas H. Green
There will be two theartsdesk on Vinyls this week. The first is here, an epic 11,000 words on a multitude of new releases in every genre, from reissues of classics to spanking new strangeness. There’s something for everyone. On Thursday we’ll have a special edition in honour of Record Store Day this coming Saturday, so watch out for that too. For now, though, dive in!VINYL OF THE MONTHElsa Bergman Playon Crayon (B.Inspelningar)In the mid-1960s British composer and pal of Stockhausen, Cornelius Cardew, composed a piece called Treatise whose sheet music consisted of a series of symbolic Read more ...
Kieron Tyler
Promises attracted a lot of attention upon its 2020 release. The album brought together UK electronica artist Floating Points, The London Symphony Orchestra and storied US jazz individualist Pharoah Sanders, who died in September 2022. It became his last album. Promises – composed by Sam Sheperd in his Floating Points guise – cannot though have been conceived to be as high profile as it became.In contrast, back in February 1978 Sanders’s Love Will Find A Way album was an explicit brush with the idea that audiences beyond his usual constituency might pick up on him. It was issued by mainstream Read more ...
Kieron Tyler
Two drummers are drumming. One held the beat on ABBA’s “Super Trouper”. He is Sweden’s Per Lindvall, more usually associated with jazz. The other is Norway’s Rune Arnesen, whose recording credits are also stylistically varied. Locked-in tight together, their groove provides the backbone for a band led by Norwegian trumpeter Nils Petter Molvær, whose 1996 album Khmer was his first for the ECM label. This is a live revisitation of the album.Also in the seven-piece outfit on stage is guitarist Eivind Aarset, who was on the album. Though there are solos, the groove binds together a hard-hitting, Read more ...
Kieron Tyler
In European folklore, mélusine are woman from the waist up and fish or serpent below. The fabled character is first known in the 13th century. Mélusine dwell in inland water – rivers, wells and such.For the concept driving US composer/singer Cécile McLorin Salvant’s seventh album, this mélusine is married. Integral to the union is the husband, Raymondin, agreeing to not see her on Saturdays when her usually cloaked snake-like lower half is exposed. Naturally, he breaks the rule, whereupon she turns into a dragon, flees and returns only to attend her descendants – the marriage's ten male Read more ...
Kieron Tyler
Sometime in early October 1963 John Lennon and Paul McCartney encountered The Rolling Stones and offered them one of their songs; one which became the London blues aficionado’s second single. “I Wanna be Your Man” was duly recorded on 7 October 1963 and released on 1 November. Thanks to The Beatles, the Stones charted for the first time. A Liverpool-London, north-south divide had been breached.A supposed stylistic separation was also breached – the Londoners were purported blues purists who stood apart from the pop scene. Of course, that changed as pop can absorb anything and ambitious bands Read more ...