jazz
joe.muggs
The enduring good health of UK soul – the fact that we are treated to a continual stream of great records by the likes of Jorja Smith, Children of Zeus, Cleo Sol / SAULT, Maverick Sabre, Joel Culpepper, Yazmin Lacey, Ego Ella May, Michael Kiwanuka and so many others – is down to a few things. First there is the soft music for hard times principle: a craving for tangible tenderness, directness, unfiltered emotion and… well… soulfulness in the midst of the competitive shouting factories of the digital world and the relentless hustle of this austerity-blighted island.Secondly, and this is vital Read more ...
Tim Cumming
It begins with a superb rendering of his 2018 song “Ain’t Gonna Moan No More”, on which Van is joined by the mellifluous voice of Kurt Elling, and which was recorded alongside the other duets on the album in 2018 and 2019.It then winds through a mix of duets recorded in 2014 (alas, no Sir Cliff) and what they're calling "big band" arrangements of catalogue classics like “Avalon of the Heart”, “So Quiet in Here” and “The Master’s Eyes”, a gem from 1985’s A Sense of Wonder. This extremely likeable scoop of slightly random songs is the second of a series of releases from the vaults on Read more ...
joe.muggs
Some performers are born to perform. It seems obvious, but it’s not a given in the music world. Some just want to make sound, some want to compose, not all are in it to connect directly to an audience. Rob Gallagher, however, is all about that connection, and he’s never stopped doing it. It was there in his band Galliano’s genial funk from 1988 through 1997: his London beat poetry always felt like it was addressing you direct, and the band came to live above all on the live stage where he could speak to the crowd.In the subsequent band Two Banks of Four he did admittedly step back from the Read more ...
Sebastian Scotney
Miguel Zenón’s Golden City (Miel Music) is an ambitious album. Its ten tracks and a postlude seek to portray “the beauty and resilience that give San Francisco its soul”.The timing of the release is fortuitous, coming just eight days after Kamala Harris gave her nomination acceptance speech at the Democratic National Convention, and is impossible not to make a connection. In her impactful and historic speech, not only did Harris set out her stall to be the next US President, she also told her own story, in which the key part was her San Francisco immigrant background – and she also drew Read more ...
joe.muggs
I won’t give it loads about the atmosphere and attendees at We Out Here – suffice to say that in its fifth edition, it has maintained all the strengths I mentioned last year, with the added benefit of slicker-operating infrastructure having ironed out any remaining wrinkles in its new Dorset site. The navigability, sound levels, smooth running bars etc were all just a little better, which only added to the good vibes that have been there from the start.Given how fun last year had been I wasn’t going to miss Thursday this time. As I set up my tent I could hear the brilliantly quirkly Read more ...
joe.muggs
For a record whose subject matter involves unfaithfulness, ageing, loneliness, fear of death, darkness, sorrow, battles, haunting, sleeplessness and struggling to breathe, this is a lot of fun. But then Susanna Wallumrød has always leavened fathomless darkness with wry wit.Early on in her career she was covering songs like Dolly Parton’s “Jolene” and even Kiss’s “Crazy Crazy Nights” as icy ballads, and throughout she has always had an arch cool that has allowed her to gaze into the abyss and relay what its gaze says back to her as startlingly enjoyable music.On this album, that enjoyment Read more ...
joe.muggs
Trip hop is everywhere these days. From Billie Eilish and Lana Del Rey on down, some of the biggest artists in the world channel a smoky, bluesy, late 90s mood – and in the UK something even more interesting is happening that taps into a longer, deeper continuum.In the burgeoning soul/jazz underground (and mainstream!) the likes of Jorja Smith, Dave Okumu, Yazmin Lacey are all tapping into a wellspring of uniquely British introspective groove that runs not just through Massive Attack and Nightmares On Wax but back through Sade, Soul II Soul to the years of lovers rock and Cymande.Squarely in Read more ...
Thomas H. Green
VINYL OF THE MONTHMike Lindsay Supershapes: Volume 1 (Moshi Moshi)Solo debut from Mike Lindsay, a founder member of tunng and also half of psychedelic duo LUMP. It’s a good thing when music is hard to describe. Opener “Lie Down” sets up the stall, a catchy but weird slice of poet-pop, wherein wonky dance rhythms, abstract jazz, lyrics about mundanity and shouts of the title phrase, including contributions from singer-songwriter Anna B Savage, add up to a wild frolic. With plenty of woodwind, lyrics about toast and Sunday roast, an inability to musically settle down anywhere “normal”, the Read more ...
Kieron Tyler
Barefoot in Bryophyte is a collaboration between musicians embedded in Norway’s jazz and experimental music scenes. Some of it, though, sounds nothing like what might be expected. Take the fourth track, “Paper Fox.” Figuratively, it lies at the centre of a Venn Diagram bringing together Mazzy Star, 4AD’s 1984 This Mortal Coil album It'll End in Tears and the more minimal aspects of Baltimore’s Beach House. It’s quite something.Then there’s the shoegazing-adjacent “So Low” which does, indeed, bear a familial resemblance to Low were they stripped of their tendency towards embracing noise. The Read more ...
peter.quinn
Meshell Ndegeocello's groundbreaking new album No More Water: The Gospel of James Baldwin takes you on a musical journey which defies categorisation.Eight years in the making and set for release on 2 August – Baldwin's centennial – the album’s origins date back to Ndegeocello’s 2016 musical and theatrical tribute to the iconic writer and activist, "Can I Get a Witness? The Gospel of James Baldwin", commissioned and produced by Harlem Stage through its WaterWorks programme.A nuanced exploration of race, sexuality, religion and other recurring themes explored in Baldwin’s canon, which takes its Read more ...
joe.muggs
In a discussion recently a friend compared generative AI to self-driving cars back in 2017: the makers were convinced, perhaps rightly, that they had solved 99.9% of the problem, and therefore would have a viable product within the year. The problem for self-driving cars back then, and generative AI now, is that the last 0.1% is something special. Intractable.It’s worth holding on to that as more and more playlists are flooded by uncannily realistic impersonations of country, disco and what have you. We are about to get glutted by a technology that seems all encompassing, but there remans an Read more ...
mark.kidel
Something of a jazz supergroup this one: with drum virtuoso, the ubiquitous Seb Rochford, Jim Bar of Get the Blessing, Adrian Utley – formerly of Portishead, a prolific collaborator and producer, but with a heart rooted in jazz, and sax and flute-player Larry Stabbins, among other credits a co-founder of Working Week, recently returned from 10 years’ sailing around the world.Playing mostly improvised music, and deftly navigating a space between fierceness and sensitivity, the four musicians (and friends) have created a dialogue of singular voices that converse and battle with Read more ...