history of cinema
Adam Sweeting
Is This Thing On? Bradley Cooper has previously directed A Star Is Born and Maestro, but they weren’t nearly as much fun as this. It’s a story of New Yorkers in the throes of mid-life crises, as Alex Novak (Will Arnett) separates from his wife Tess (Laura Dern) and finds himself floating in unfamiliar new waters. Their divorce also has a perverse knock-on effect on the lives of their close friends, Christine (Andra Day) and Balls (Cooper), who both start suffering from copycat syndrome.The joy of the piece (written by Cooper, Arnett and Mark Chappell and loosely based on the life of Read more ...
John Carvill
Patrick McGilligan’s biography of Woody Allen weighs in at an eye-popping 800 pages, yet he waits only for the fourth paragraph of his introduction before mentioning the toxic elephant in the room: i.e. the sad fact that, despite never having been charged with – let alone convicted of – any crime, Allen in 2025 is, to all intents and purposes, cancelled.So let’s deal with that first. The reason for Allen having suffered what McGilligan calls “the living death of being declared an unperson” has transmogrified over the years. Initially, he was weighed in the balance of public opinion and found Read more ...
John Carvill
It might be a push to call this documentary a feminist slant on Humphrey Bogart, but it wouldn’t quite be a shove. Northern Irish filmmaker Kathryn Ferguson’s work has often concerned itself with identity and gender politics, and her narrative here is framed around the women in Bogart’s life, starting with his aloof, undemonstrative mother, Maud. Proper consideration is given to Bogart’s first three wives, Helen Mencken, Mary Philips, and Mayo Methot. In particular, Mayo is rescued from the cipher status to which many previous accounts of Bogart’s life assigned her: she was a former Read more ...
Nick Hasted
“What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis Ford Coppola’s forty years in the making, self-financed epic is studded with such self-implicating bravado, including a wish to “escape into the ranks of the insane” rather than accept conventional thinking, as if at 85 he is not only Cesar but Kurtz, plunging chaotically upriver again, inviting career termination.Coppola subtitles Megalopolis “a fable”, and its tale of an imperious architect fighting venal New Rome’s Mayor Cicero (Giancarlo Read more ...
James Saynor
Filmmakers of note make long movies for different reasons. Sometimes they may want the viewer to be so immersed in the movie they become “kidnapped” by it, to borrow an idea from Susan Sontag. (Epics by auteurs like Greece’s Theo Angelopoulis or Turkey’s Nuri Bilge Ceylan may be in this bracket.)Sometimes – whisper it softly – directors such as Martin Scorsese may not always have the full measure of a story’s pacing. And sometimes filmmakers are just bonkers trash-art weirdos who want to annoy the hell out of everyone, audiences and movie financiers alike. Such appears to be the case with Read more ...
Markie Robson-Scott
“It’s an injustice of nature that I haven’t become an athlete and it’s an injustice of nature that we do not have wings,” says German director Werner Herzog, aged 81, sounding characteristically intense.Who else, muses Wim Wenders, one of the many talking heads in Thomas von Steinaeker’s exhilarating documentary, has succeeded in “inventing” their own accent in a way that the whole world imitates and enjoys? Herzog is a “truly mythological creature” and has, he says, shaped the American perception of Germans like no one else. Though no one else is quite like Herzog.His films – he’s the Read more ...
Helen Hawkins
The phrase “male gaze” was coined by the British film theorist Laura Mulvey in 1975 and has become a standard tool for analysing a film’s gendered content. What director Nina Menkes has set out to show in Brainwashed is that the techniques that create the male gaze have entered cinema’s DNA and become standard across the genders, for makers and watchers alike. “It’s like a law,” she says. This is bad news for us all, she argues, not just cineastes.The documentary uses as its framework a 2018 lecture Menkes gave to her film production students at CalArts in Los Angeles. We cut to and from it Read more ...
Markie Robson-Scott
Mr Williams (a wonderfully restrained, Oscar-nominated Bill Nighy) is taking time off work from his job in the Public Works department at County Hall in London. It’s the early Fifties and office life is very proper, with bowler hats and a strict hierarchy that reflects the class structure of Britain.He has stomach cancer but hasn’t informed his conventional son and grasping daughter-in-law, who live with him. Instead, he reveals his secret – “It’s rather a bore… the doctors have given me six months” – to a stranger (Tom Burke) whom he meets in a café in a seaside town. A pub crawl follows, Read more ...
Adam Sweeting
Even today, Charlie Chaplin still earns glowing accolades from critics for his work during the formative years of cinema, though a contemporary viewing public saturated in CGI and superheroes might struggle to see the allure of his oeuvre as the “Little Tramp”. Nonetheless, his films such as City Lights, Modern Times, The Gold Rush and The Great Dictator are built into the foundations of motion picture history.As its title reveals, this new documentary, directed by Peter Middleton and James Spinney, pitches itself as a quest for the “real” Chaplin, surely something of a wild goose chase since Read more ...
Daniel Baksi
A man sits at a table in an otherwise bare room. Shot in monochrome and positioned off-centre, he reads a newspaper and smokes a cigar, lazily obscured as two other figures drift into and out of shot. A brief fight ensues. A man falls to the floor and is dragged away. Suddenly, a door opens. A new man stands at the foot of a staircase. It leads to another room, where yet more men await.This is early Rainer Werner Fassbinder, the first film in the first volume of Arrow’s new collection of his works. The movie’s title is Love Is Colder Than Death (1969), and its opening is typical of a Read more ...
Daniel Baksi
Three films, each restored to glorious 4K, make up Second Run’s Hungarian Masters set. Billed as “essential works by three of Hungarian cinema’s most renowned filmmakers”, each film earns that praise in its own way.Zoltán Fábri’s Merry-Go-Round is the first, released amid the final months of Mátyás Rákosi’s de-facto leadership, a period defined by intense industrialisation, militarisation and collectivization. Fábri and his contemporaries witnessed a severe decline in living standards, purges, and the deportation of more than half a million Hungarians to the Soviet Union, where Read more ...
mark.kidel
One of those films weighed down by a considerable reputation, La Dolce Vita (1960) is rarely taken as seriously as it should be. From the very first sequence in which a figure of Christ sails across Rome’s skies, suspended from a helicopter, a sensational image that summed up the spiritual bankruptcy of the time, until the last when an innocent and beautiful girl smiles quizically in close-up, this is a deeply moral film.On one level this satirical depiction of the “sweet life” consists of a series of wild parties, hosted and attended by the city’s beau monde, but it also a film about the Read more ...