Witch Fever are a rising four-piece, originally formed in Manchester. Their debut album, 2022’s Congregation, was a raw, sludge-punk howl that represented singer Amy Walpole’s livid rejection of the stridently patriarchal Charismatic Church of her upbringing.Since then, they’ve toured with everyone from Biffy Clyro to IDLES, and gathered a righteous amount of attention (and, of course, they look great). Their second album is less laser-focused on religious subject matter. It’s a match for its predecessor but with greater use of atmospheric effects and electronic trimmings.Opener “Dead to Me Read more ...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula at the Barbican last night, with three pieces written since 2000 offset by just one familiar item, Sibelius’s Third Symphony. The result was invigorating, challenging – and very enjoyable.The presiding artistic mind was that of Thomas Adès, featuring both as conductor and composer. His passion for the music he had chosen shone through, overcoming the rough-and-readiness of his baton technique, and his enthusiasm brought forth a range of sounds from the orchestra Read more ...

You wait years for a guitar group with brothers to reunite and then two come along at once. The Maccabees return might have attracted far less attention compared to the Gallaghers hitting the road again as Oasis, but as they strolled onstage on a humid Glasgow night the ecstatic reaction from fans suggested it was a sight many had not expected to see again.There are many obvious differences too, given that the London fivesome never dented the public consciousness in the way of Manchester’s finest.  And while the Oasis reunion has served up a glorifying of the Britpop era they provoked, Read more ...

The history of popular music is littered with bands who fulfilled everything needed to make it. Then fate kicked them in the teeth. Goofin’ good time Brit heavy rockers Dinosaur Pile-Up have had some rubbish luck.In 2019, after slogging the circuit for a decade, their fourth album was signed to Parlophone, they supported The Offspring and Sum 41 on US tours, and their new song “Back Foot” was an ebullient pop-metal classic. They were on the brink of breaking big.We all know what happened next. That virus closed the world. But, worse for the band, frontman Matt Bigland became seriously ill, Read more ...

The default setting for Brighton indie quartet Black Honey is pop-grunge. There are plenty of moments during their fourth album when Nineties femme-rockers L7 spring to mind. But Black Honey also spread their wings and fly in other directions. The latter songs tend to be Soak’s most noticeable, although whatever style the band chose, they know enough about hooks to keep listeners onside.Singer Izzy B Phillips, newly sober and with a recent autism diagnosis, veers lyrically between cinematic impressionism and a more specific observational approach. The album’s closing song, “Medication”, Read more ...

Molly Tuttle is a star of the US bluegrass scene whose last couple of albums have broadened her appeal. On them she wandered into country, folk, and rock. She featured the likes of Gillian Welch, Dave Matthews and Old Crow Medicine Show, intimating, perhaps, a desired trajectory.Her latest album, her fifth solo, tones down these tendencies in favour, much of the time, of a gentler, smoother direction. While it doesn’t imitate Taylor Swift, there’s something of that superstar’s pop-country style and relationship lyricism.“Mistakes, bad dates, man, I’ve had a few/Cheap thrills, bitter pills, I Read more ...

War, pestilence, famine, death. I don’t know about you, but I’ve had my fill of them all. So what better time to visit the genuinely sunny uplands – the long-anticipated second album from Wet Leg.My, those seemingly demure, Amish-styled girls have grown (see the demonic cover, replete with scary talons and an unhinged-looking Rhian Teasdale). They’ve officially supplemented the line-up with the three very hairy boys who’ve been playing with them on live shows and everybody’s been involved in the writing. And everything’s turned out very well indeed.Superlative singles “CPR” and “catch these Read more ...

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies L.A. nostalgia-fest, Licorice Pizza, has done them no harm. I Quit is, the band says, thus titled because its songs are about “quitting something that isn’t working for us anymore”. More than its concept, though, the listener is swept away by the sisters’ joy in ransacking their skills and studio, any which way they can, to create sun-dappled retro-futurist pop.This is not pop in the Gaga/Roan vein, though. Alongside ex-Vampire Weekend super- Read more ...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of your life. They are the kind of purely American rhythm’n’blues experience, tempered with FM radio balladry, that somehow works best, and perhaps only, on those endless highways and dusty plains.Tonight she imports that spirit – the best of America at a time when the world is seeing the worst of it – to a 200-year-old hall full of septuagenarians on the British south coast.Raitt plays for an hour-and-a-half and has real presence, a gregarious chatty Read more ...

Nick Mulvey’s first two albums, First Mind in 2014 and Wake Up Now in 2017, are among the loveliest singer-songwriter fare released this century. With his last album, 2022’s New Mythology, his ayahuasca-fuelled search for spiritual meaning went full-blown mystic. Where has it led him? To Jesus.The first Dark Harvest album (the second is due in the autumn) is touched by Christianity, notably on the slightly preachy “My Maker” (“God shares His secrets with those who fear Him”). But, like Bob Dylan’s first Born Again outing, Slow Train Coming, upon occasion the spark of religion lights the fuse Read more ...

There’s this mod milieu, harking back to the Eighties. Weller at the forefront; Dr Robert and his Blow Monkeys; all righteously hate Thatcher; then the electronically groovy 1990s arrive; Acid Jazz Records; boss mod Eddie Piller; his collection of snappily dressed muso's who magazines wrote about and who nearly had hits. These sorts are still about, endlessly churning out music. It’s impressive. Sometimes the music is too. As with this album.Matt Deighton was in Acid Jazz outfit Mother Earth. He’s one of the aforementioned who keep on bangin’ out music. Much of it well-liked. Those mods Read more ...

Mark Morton is best known as a guitarist with US metallers Lamb of God. They’ve been going for three decades, established and successful, at the more extreme, thrashier end of the spectrum, but still achieving Top Five albums on the Billboard charts.He’s also been developing a solo career. His debut, 2019’s Anesthetic, was straightforward heavy rock, featuring names such as Mark Lanegan and Chester Bennington, but his follow-up is more interesting, a riff-tastic dive into southern boogie, tipping its hat to The Allman Brothers and Lynyrd Skynyrd.There are guests throughout again, but this Read more ...