First Person
tanika.gupta
On the first day of rehearsals for Out West at the Lyric Hammersmith in May, myself and fellow playwrights Roy Williams and Simon Stephens stood, masked up and lateral flow tested for Covid, and listened as the Lyric Hammersmith's artistic director Rachel O’Riordan welcomed us at the traditional theatrical “meet and greet".As I looked around the room at the producers, stage managers, sound, lighting, costume and set designers, and the communication and theatre staff, I was struck by the enormity of the moment. I’d missed this so much - for over a year! Rachel talked about how important it was Read more ...
Boris Giltburg
About a year ago, in a distant pre-pandemic world, I remember walking down Edgware Road one cold London evening. I was heading towards Jaques Samuel Pianos, my favourite haunt in London, to meet filmmaker Stewart French from Fly On The Wall. There, we began setting up mics and lights, (im)patiently waiting for everyone to leave, so that we could start filming the first of Beethoven’s 32 piano sonatas, well into the early hours of the night. That was the launching point of a project I took upon myself – to learn and film all 32 sonatas throughout 2020, Beethoven’s 250 anniversary year.To Read more ...
Tunde Jegede
In this era when there is so much talk and discussion around crossing musical boundaries, diversity in music and inter-disciplinary work it seems strange that there is still so little knowledge of how, why and when it works. Ironically, much of this type of work and collaborative process is much older than we often think and give credit to.As a composer I have always been interested in this type of work because it speaks to my experience both socially and culturally. Having studied instruments and traditions in both the UK and West Africa, I was acutely aware from an early age of differences Read more ...
Abigail Young
February 2020: an item a long way down the agenda of the nightly news caused me to remark, fairly casually, “I wonder if that will affect me”. I had already heard about Covid-19, the new virus emerging from China; now it was spreading into places where I earned my living. I was beginning to worry.For the last 20 years or so I have been leader of a wonderful chamber orchestra in Japan, Orchestra Ensemble Kanazawa. It is a 50% job and I swing backwards and forwards between the Far East and London six or seven times a year, enjoying a richly varied life on Read more ...
Anna Lucia Richter
It’s actually quite a strange feeling to know that my CD Il delirio della passione is now out. I recorded this amazing, all-embracing Monteverdi project with Luca Pianca and Ensemble Claudiana over a year ago, in January 2020. That was another world, another time. At that point, PPE and masks belonged in hospitals, we greeted each other with hugs and many of us musicians were known to groan at the prospect of months of busy touring – a luxury now. I regarded myself a true soprano and my calendar was pretty full for the next two years. Had my future self visited me and told me that I would be Read more ...
Nigel Hess
It has been well-documented over the last few months that there has been an upsurge in listener numbers for many radio stations offering classical music – notably BBC Radio 3, Classic FM and Scala Radio – and, during these unprecedented times it comes as no surprise to discover that so many people (of all ages) are finding solace in music which, in some cases, they are turning to for the first time.For me there’s a family resonance – my great-aunt, Dame Myra Hess, set up a series of lunchtime concerts in the National Gallery during World War Two for war-weary Londoners and she seemed to know Read more ...
Nicky Spence
Forget the pandemic, it's Brexit which could ring the death knell for artists who are currently hoarse from begging to be taken seriously as a respected export. From Tchaikovsky to Britten, music itself has always been offered visa free but as the repercussions of Brexit are truly felt in the UK, the stories I've collected below from my singing colleagues highlight our increasingly vulnerable position as artists.Thinking back to summer jobs selling tequila on the strips of Magaluf and now selling a Schöne Müllerin to a tentatively packed auditorium in Barcelona, the annexes negotiated in the Read more ...
Sara Deborah Struntz-Timossi
Sara Deborah Struntz-Timossi is an international award-winning violinist who has toured with early music ensembles like the European Union Baroque Orchestra, Dunedin Consort and The English Concert, as well as performing across Europe as a soloist and chamber musician. She is also Artistic Director of the Spirit of Music Festival that brings music right into her east Hampshire community.Everything in my life as a musician and private person was facilitated by the mutual agreements within the EU. My studies in the UK as a German citizen were funded by reciprocal EU study regulations. Within Read more ...
Raffaello Morales
As this most remarkable year prepares to enter the history books, most of us who are part of the music industry have come to realise that the western world is desperately looking for solutions to an emergency of unprecedented dimensions in post-war times, and that music is not widely perceived to provide any. As unemployment rises and GDPs tumble across most advanced economies, concert halls sparsely populated with socially distanced orchestras and audiences end up being seen at most as a first-world problem of a nostalgic elite.Most governments have consistently demonstrated Read more ...
Johannes Vogel
Think of the finale at a big fireworks show: the anticipation; the build up. There is nothing bigger than the Ninth Symphony. It is the climax of this year’s Beethoven celebrations. A year ago, no-one would have expected 2020 to be turned upside down in the way that it has, with so few concerts being held in Europe. Optimism is growing and what better way to bring joy into people’s lives than with a colossal event celebrating one of the greatest composers of all time?As conductor of the 123-strong Sychron Stage Orchestra for the performance, I wanted to be able to lead a concert so magical Read more ...
Susan Bullock and William Dazeley
Two of the singers in an ambitious project to film Britten’s opera based on a Henry James story – part timeless tale of repressive tradition which chimed with the composer's pacifist beliefs, part ghost story – which was originally “made for television” and premiered on the BBC, give their impressions close to the time of filming.William DazeleyIt began with an email under the heading “another crap job!” It involved traipsing around town, trawling through charity shop clothes rails in search of a slightly shabby, well-loved jacket. Then came two highly unusual costume fittings, one in a car Read more ...
Maxine Kwok
2020: a year that at some point felt like the end of live performance for the world of the performing arts, certainly for the foreseeable future. Artists spent months without any form of collaboration, leading to a serious lack of motivation due to the decimation of performance opportunities. Coupled with the stressful change in their financial circumstances a huge percentage of people with professions in the performing arts found themselves completely rudderless.I myself wandered aimlessly around the Barbican Estate, gazing longingly at the Barbican Centre and feeling empty without the daily Read more ...