family relationships
emma.simmonds
Coming-of-age films have frequently featured inebriated antics and ill-advised hook-ups, but it's usually the teenagers behaving badly. The Way Way Back sees a family decamp to an East Coast beach house for a summer vacation described witheringly by one teen as "Spring Break for adults". The film is the directorial debut of Nat Faxon and Jim Rash (two of the Oscar-winning screenwriters of The Descendants), who also pen the excellent screenplay and take supporting roles.Duncan (Liam James) is a painfully shy 14-year-old from Albany who hangs uncomfortably in his own skin and can't seem to Read more ...
emma.simmonds
We're the Millers is a road movie which sees a group of outsiders learn how to fill traditional roles and find happiness. It's a film that flirts with rebellion but ultimately reveals itself to be boringly conformist. Director Rawson Marshall Thurber had a memorable hit with his debut Dodgeball: A True Underdog Story but, in the manner of one of that film's KOs, he falls flat on his back here.Jason Sudeikis plays David Clark, a small-time weed dealer who's never really grown up. When he's robbed of his drug stash and money after playing the good Samaritan he finds himself in debt to mwa-ha-ha Read more ...
Tom Birchenough
The shipping forecast is never going to sound the same again after Southcliffe. Each time it came back over the four episodes of Tony Grisoni’s drama, set against a background of the limpid dawn sky of marshland Faversham, which stood in for the drama’s fictional market town, we knew that Stephen Morton (Sean Harris) was about to embark on his shooting spree. Terror came out of nowhere.Or did it? That seemed the opening episode’s question, as we saw the outsider Stephen’s already fragile state of mind pushed over its limit by a ritual humiliation that seemed all too in-character for the place Read more ...
Tom Birchenough
It’s the women who keep things together in Umut Dağ’s debut feature Kuma, and you can see the weight of the burden that matriarch Fatma (Nihal G Koldas) has been carrying etched on her face. Fatma’s latest endeavour to preserve balance in her Vienna-based Turkish family goes further than before, and provides the first surprise in Dağ’s film.Opening with the colourful atmosphere of a village wedding in Turkey, we assume that Fatma and her husband Mustafa (Vedat Erincin, below right, with Koldas) have married off their good-looking son Hasan (Muruthan Muslu) to the innocently youthful country Read more ...
Matt Wolf
Don't spend too much time looking for Kristin Scott Thomas in writer-director Pascal Bonitzer's Looking For Hortense (aka Cherchez Hortense). In keeping with the fleeting presence afforded the Hortense of the title, the divine Scott Thomas gets her customary star billing only to pretty much vanish from a largely somnolent Gallic exercise that sorely needs this actress's effortless command and wit. Cast as a theatre director called Iva who strays into the arms of her leading man - quelle surprise! - Scott Thomas is pretty much jettisoned from a plot that could use more of her and Read more ...
Veronica Lee
The Events, Traverse Theatre **** Writer David Greig has been at pains to make clear that The Events is not about Anders Breivik’s slaughter of 77 people in Oslo and Utoya in July 2011, even though he and director Ramin Gray researched extensively in Norway Sadly, it could have been about Dunblane, Hungerford, Columbine - or any number of mass killings in the United States - and they have produced a powerful examination of why disaffected men on the edge of society (but seemingly part of it) commit such atrocities.It’s essentially a two-hander in which Neve McIntosh is Claire Read more ...
Adam Sweeting
Jane Campion's much-anticipated series is set amid hauntingly beautiful scenery on New Zealand's South Island, which in its remoteness seems to shake its head gently at the antics of the sparse human population. The people themselves are like a tribe that time forgot, living in a wilderness-bubble governed by the kind of attitudes you'd expect to find in some dust-devilled outpost of the Old West in about 1800.If they weren't born there, they've come to escape. Thus, in an early sequence, a cluster of containers was delivered to a lakeside piece of land called (either ironically or not) Read more ...
emma.simmonds
"When you are in the middle of a story it isn't a story at all, but only a confusion," writes Margaret Atwood in Alias Grace, and it's these words that open Stories We Tell, fellow Canadian Sarah Polley's fourth film. This is Polley's first documentary - although it hardly does it justice to call it that. It starts by telling a family story - a story Polley herself is indeed smack bang in the middle of - which requires her to be both director and detective, and presents her with the seemingly impossible task of distancing herself. Yet as it progresses Stories We Tell evolves into something Read more ...
Matt Wolf
People genuinely care about words in Josh Boone's directing debut, Stuck in Love, and that's as might be expected from a film that went by the name of Writers when it premiered in Toronto last autumn. So the first thing to be said is that this likable American indie is nicely written (a rarity in itself these days), notwithstanding an ending that trades heavily on the inevitable uplift that is the Hollywood norm even in such low-budget climes.And it's even better acted across the generations by an attractive cast, all of whom fully inhabit the cautious, often anxiety-laden byways of love and Read more ...
David Nice
There are two dances to unheard music in Howard Brenton’s pithy Strindberg reduction. One spells trouble for the interloper between the vampire couple who suck the blood of others to sustain their 30-year hell of a marriage; the other, in the rarely-performed Second Part, is a prelude to both liberation and death. The symmetries and the differences are cleanly underlined in Tom Littler’s production and the degrees of light admitted in to Jerwood Young Designer James Perkins’s sets. And in a performing space even smaller than Strindberg’s Intimate Theatre of the early 1900s, Michael Pennington Read more ...
Lisa-Marie Ferla
They say that you’re not supposed to judge a book by its cover, but I began to grow bored with Love and Marriage about halfway through the opening credits. What seemed like endless pairs of smiling, photogenic couples swung onto the screen against a twee, brightly-coloured backdrop, and I realised I was already struggling to care. I mean, get it, okay? Different branches of the family tree and all that? The new six-part comedy drama revolves around the trials and tribulations of the Paradise family, but the big problem with Love and Marriage is that there are too many characters, and very few Read more ...
Lisa-Marie Ferla
They say that the most important part of any drama is the journey that it takes its leading characters on. Whatever events have taken place - and after 139 episodes and nearly a decade, this show has had a lot of them - you can expect them to have shaped the characters, who will likely have learned valuable life lessons and evolved. Despite this, it is no great surprise to see Shameless patriarch Frank Gallagher (David Threlfall) begin the show’s final episode from jail - where he has spent three months for benefit fraud.Shameless has experienced diminishing critical returns as the years have Read more ...