China
Sarah Kent
Chinese artist, Ai Weiwei has created an extremely beautiful installation at the Design Museum in which the disparate elements play their part in creating a powerful overall message. On one level the exhibition is about design, but it also invites you to consider far more serious issues than are normally addressed in this temple to consumerism.A deep sense of loss permeates the exhibition. In fact, the longer I stayed the more I was reminded of the terrible photographs taken at Auschwitz that record the mounds of hair and piles of shoes collected from those killed in the camp’s gas Read more ...
David Nice
Nearly 40 years old, Andrei Serban’s Royal Opera Turandot feels like a gilded relic (I felt like a relic myself on learning that my writer neighbour wasn’t born when I saw Gwyneth Jones as the ice princess in 1984). Yet so too, outwardly, did Puccini’s only really grand opera when it premiered in the 1920s, exoticism being mostly confined to operettas and musicals. What keeps it modern is the score, which made it vital to hear what Antonio Pappano had to say with it.The Royal Opera’s long-serving, much-loved Music Director will probably beg to differ from a position of infinitely greater Read more ...
Daniel Baksi
Rounding out a decade of personal success – beginning with his Cannes Jury Prize-winning The Puppetmaster (1993), followed by a best director award for Good Men, Good Women (1995) – the Taiwanese director Hou Hsiao-hsien travelled to the Japanese harbour city of Hirado as part of his research for Flowers of Shanghai (1998). An unexpected work, the film emerged out of the ashes of a failed project to shoot a biopic of Zheng Chenggong, otherwise known as Koxinga, a Chinese Ming loyalist who fought against the emergent Qing Dynasty. Set at the close Read more ...
Veronica Lee
Chinese Arts Now was founded in 2005 and aims to produce and present work that explores Chinese themes, stories and art forms in the UK. Its annual festival includes a comedy night (presented in conjunction with Soho Theatre), and this year three comics of Chinese heritage – Evelyn Mok, Ken Cheng and Phil Wang – performed.The event, livestreamed from the comics' homes, was in a novel format; Mok (who was born in Sweden and describes herself as Scandinasian) introduced, and we saw clips of them performing, followed by them discussing the themes in their material.It kicked off with a clip from Read more ...
Tom Baily
It is probable that no other document gets closer to the direct experience of frontline workers and victims of Covid-19 than the documentary 76 Days. It is also true that the film is not very enjoyable. Nor, sadly, does it feel especially unique. Worn by news fatigue, most viewers might feel that they are watching an extended news feature, rather than a feature film. Yet it does contain a strange power that is hard to pin down.That 76 Days was made in the first place is something of an achievement. New York-based director Hao Wu had planned to film in Wuhan at the start of the pandemic but Read more ...
Daniel Baksi
In his exclusive half-hour-plus interview for distributor Second Run, the affable Tsai Ming-Liang makes a striking admission: “I make very uncommercial films.” Viewers of the extra will most likely have just finished Goodbye, Dragon Inn (Bú sàn) (2003), Ming-liang’s feature-length exploration of precisely everything that comes of those pesky “uncommercial films”. That is, a decrepit, old picture-house on the outskirts of Taipei, hosting its last ever screening – of King Hu's 1967 sword-fighting classic Dragon Inn – complete, or incomplete, with leaky ceilings, and a thoroughly Read more ...
Thomas H. Green
Emma-Lee Moss has a lovely voice. It conveys an ache, a longing, but is sweet too, and well-mannered. Combine this with an aptitude for literate, thought-provoking lyrics and hooky songs, and Emmy the Great is quite the package. It’s a mystery, then, why she has not been critically and commercially elevated to the status of peers such as Laura Marling and KT Tunstall. Her fourth album is a delight, rich in imagery and ideas. It confirms her as an artist always well worth following.That April / 月音 is so enjoyable is a pleasing surprise. Moss’s last album, Second Love, was a misstep into more Read more ...
Joseph Walsh
Whilst New Mutants slips surreptitiously into cinemas, Disney’s live-action spin on Mulan arrives with more fanfare on their streaming platform, even if it does come with a price-tag of nearly £20.Director Niki Caro (Whale Rider) and her cohort of screenwriters have ironed out the kinks of the ’98 animation, giving it a greater feminist spin, but losing much of the heart and humour of Tony Bancroft and Barry Cook’s original film. The story focuses on the young Hua Mulan (Liu Yifei), a free spirit who has to suppress her martial gifts for the sake of the Read more ...
joe.muggs
A new and very strange kind of pop music has bubbled up over the past half-decade plus. It’s internationalist, rooted in both underground electronics and the most populist styles, bound up with playful but sometimes terrifying ultra high definition psychedelic aesthetics, and dominated by female and non-binary musicians. It’s given a platform to some of the most vivid and fascinating characters in music today, from Beijing’s 33EMYBW to Margate’s BABii, Washington DC’s Swan Meat to Montevideo’s Lila Tirando a Violeta, and most prominently Glaswegian SOPHIE and Caracas-via-Barcelona Arca. Read more ...
Adam Sweeting
It’s too early for a definitive account of the Covid-19 pandemic, and this was very much a Sky News version of what we’ve been through so far. Although it seems the virus has peaked and we’re entering a tentative stage of partial de-lockdown, the message was relentlessly grim.The government’s catalogue of blunders was rehearsed once again, from the catastrophic decision to send hospital patients to care homes without being tested for the virus to the serial failures to establish comprehensive testing and tracing. As Sky’s reliably morbid political editor Beth Rigby outlined, the Johnson Read more ...
aleks.sierz
London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to a wider public – despite coronavirus. This week, it’s the turn of Howard Brenton’s #aiww: The Arrest of Ai Weiwei, which was first staged at this venue in April 2013, and in the intervening years it has gained in resonance and relevance. Because of COVID-19, the ideology and mentality of the Chinese government has become once again deserving of keen scrutiny. So what exactly happened to this fêted Chinese contemporary conceptual artist when he fell foul of his country’s regime?On 3 April 2011, Read more ...
Boyd Tonkin
In 1018, the Princess of Chen – a member of the Liao dynasty that ruled northern China – was buried in a treasure-filled tomb in Inner Mongolia. Excavated in the 1980s, her grave contained luxury items sourced in Egypt, Syria, Iran, India, Sumatra – along with prized adornments in carved amber imported from the Baltic shores of Europe, 6500 km away. It hardly counts as news, perhaps, that the Chinese elites of a thousand years ago stood at the wealthy heart of an international trading and information system that spanned distant continents. “They lived in a globalised world, pure and simple,” Read more ...