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Lisa-Marie Ferla
Let’s get one thing straight: Sufjan Stevens’ Carrie & Lowell is not a folk album. Folk, in this case, is a word used as a comfort blanket in an attempt to summarise the Michigan songwriter’s return to simple, acoustic music after the apocalyptic electronica of 2010’s The Age of Adz or the epic, high-concept Illinois. But folk music is a communal thing, predicated on culture and oral tradition. Carrie & Lowell – a sparse, beautiful and gut-wrenching album inspired by the writer’s difficult childhood and coming to terms with the death of his mother – is none of these things.For an Read more ...
Joe Muggs
The hip hop music of California has always been deeply stoned, and the wave of instrumental beats that have emerged from LA in recent years have taken this to quite some extreme. The scene around the Brainfeeder collective and Low End Theory club have, in fact, produced some of the most deeply psychedelic music of the 21st century, and Sam Baker aka Samiyam is one of the key figures within that.Baker's profile is relatively low outside the scene but he is a foundational figure within it, and his influence is subtly felt more widely: key UK label Hyperdub released an EP in 2008, and electronic Read more ...
Lisa-Marie Ferla
Some people are lucky enough to have the sort of friends that, no matter how rarely you see them, you can call them up and instantly pick up right back where you left off. Some people are even luckier, and have the sort of friends that they see even less but yet, when they reconnect, they can spill out their most intimate longings and hopes and discomforts and immediately feel unburdened. Seasons of Your Day, Mazzy Star’s first album in 17 years, is like that friend. The band’s core duo - singer and multi-instrumentalist Hope Sandoval, and writer and guitarist/keyboardist David Roback - sound Read more ...
Lisa-Marie Ferla
The punchline about angry upstarts journeying to po-faced middle-aged is an easy enough one for a band to make, but over the past few years the Manic Street Preachers have managed something far harder: they’ve started to make good records again. Rewind the Film is apparently the more sedate of two planned albums and it’s no laughing matter - even if a song called “Anthem for a Lost Cause” is straight out of Manics 101.From its opening couplet (“I don’t want my children to grow up like me, it’s too soul-destroying, it’s a mocking disease”) to its sepia-tinted title track, Rewind the Film is an Read more ...
Joe Muggs
If anyone in British music still deserves that rinsed-to-death term "maverick" it is Battersea-born "Dr" Alex Paterson. From roadie for postpunk industrialists Killing Joke in the early Eighties, he went on to work as an A&R then - originally collaborating with The KLF's Jimmy Cauty - formed The Orb in the heat of the acid house explosion to bring the world "ambient house". Inexplicably the loose collective, which has featured Berlin producer Thomas Fehlmann as a key member, became huge, their dub basslines and loony-tunes samples somehow encapsulating the psychedelic oddness of the Read more ...
Joe Muggs
Some 20 years ago, a series of albums called Artificial Intelligence on WARP Records aimed to promote techno as home-listening music. They made up a frequently sublime collection, but unfortunately the word “intelligence” in their title was picked up by a movement through the 1990s that became known, horrendously, as “intelligent dance music” (IDM) and tended to the belief that intricacy and awkwardness made music somehow superior to that made with more sensuous or hedonistic aims in mind.Thankfully, in the wake of dubstep in the 2000s, the experimental and the danceable began to overlap Read more ...
theartsdesk
We're pleased to announce The Arts Desk is a media partner of the Denovali Swingfest London on 20 and 21 April at London's The Scala. It's a good match, as Swingfest and the Denovali label, like The Arts Desk refuse to acknowledge artificial boundaries between “high” culture, the avant-garde and grassroots electronic and club music.Denovali Swingfest has taken place annually since 2007 in Essen, Germany but 2013 sees it expanding to take in weekends in Berlin and London. The Scala event is headlined by Andy Stott, the Mancunian techno powerhouse who in recent years has tended Read more ...
Tom Birchenough
A story of six years of conflict in the West Bank set against more timeless details of life in the Palestinian town of Bil’in, 5 Broken Cameras brings the reality of resistance to the expansion of Israeli settlements – a conflict between unarmed locals and the Israeli army with its modern armaments - to the viewer in a far fuller way than we see in news reports. Palestinian co-director Emad Burnat shot hundreds of hours of footage in and around his home community, his only “weapon” his video cameras (which, as the title suggests, fell victim to bullets and violence in just the same way as did Read more ...
Joe Muggs
There's a lot that's right with this album. Love This Giant sounds like Talking Heads for one, suggesting that David Byrne has made his peace with what made him great in the first place, and has seemingly stopped his slide into becoming a fascinating conceptualist and writer but slightly boring performer. It also, in several places, sounds strikingly like Róisín Murphy's Ruby Blue album made with Matthew Herbert, which given this is one of the most criminally underappreciated records of the 21st century is no bad thing at all. Yet despite that, it also sounds extraordinarily coherent and Read more ...
Joe Muggs
Well, who could have predicted that? For once the Grammys proved that the US recording industry establishment is up for the challenge of reflecting the sense of a world in social and cultural flux by throwing surprise after surprise, bombshell after bombshell, at its shocked audience. It was a night of victory for the underdogs and the radicals, a sense of musical revolution in the air, with all bets off. OK, no, of course it wasn't. But we can dream, right? Because we're going to need those dreams if the endless succession of safe bets and pats on the back for big sales is anything to go by Read more ...
Joe Muggs
Nova Scotia-born Leslie Feist is the very model of a 21st-century artist: independent in spirit yet able to work the mainstream industry to her advantage, technologically savvy and au fait with all the means to build and sustain a profile and sales while still maintaining some sense of artistry and dignity. Yet she is also resolutely traditionalist in many ways, with the rich traditions of Laurel Canyon rock, Brill Building songwriting and older, rootsier sounds audible in her songs, and a sense of rather old-school Bohemianism to her dedication to music as a lifestyle and the collective of Read more ...
Joe Muggs
A good measure of the passion felt for an act is how much of their crowd dresses like them. And though Leslie Feist is hardly Lady Gaga in the image stakes, it's gratifying that even in a rush to get to our seats I'm able to count at least five “Feist fringes” on audience members that I pass. It's a subtle tribute to a subtle artist, one who has come to major success without fanfare or grandstanding and attracts a discerning and knowledgeable fanbase.However passionate a crowd is, though, theatre shows have their own set of issues that can stifle even the best performers. Sitting down in rows Read more ...