Africa
Tim Cumming
Now in its 35 year, Womad is embedded into British festival culture, flying the flags of a musical multiculturalism that is about breaking down barriers and building new relationships. It’s not something you want to lose.Aside from pleasurable headliners – the likes of Oumou Sangare, Toots and the Maytals and Ladysmith Black Mambazo – it’s the names you don’t know who often leave the deepest impression. The BBC Radio 3 Charlie Gillett Stage hosted numerous full-flavoured festival debuts – the London-Greek sound of Kourelou, for instance, or Italian acoustic trio Vesevo’s folk tunes from Read more ...
Boyd Tonkin
As a photographer, Teju Cole has a penchant for the scuffed and distressed surfaces, materials and tools that form rectilinear patterns on construction sites. Opposite a shot of scaffolding, ladders and shadows – all favourite motifs – on the island of Bali, he writes a sort-of manifesto for the method of this book. “I do not love the travel pages,” he, somewhat superfluously, declares. Rather, he turns his lens (he uses manual cameras, which carry the old-fashioned risk of a ruined roll of film) on the margins, the edges, the corners, especially of urban life: “the substratum of the visible Read more ...
mark.kidel
Staff Benda Bilili and Kasai Allstars redefined the sound of Congolese dance music: the supremacy of the Rumba popularised by Franco and others, with its cascading guitar solos and instantly recognisable beats, was replaced by a host of other rhythms, closer to the intense vitality of the area’s rich traditions.Jupiter & Okwess are part of a similar roots-inflected but resolutely contemporary journey through the sounds that make Kinshasa one of the most vibrant musical capitals of Africa. In this second album, Jean-Pierre Bonkondji (who changed his name to Jupiter over 10 years ago) and Read more ...
mark.kidel
Julie Dash’s remarkable 1991 film tells the story of the Peazant family, the descendants of freed slaves who live on the Georgia Sea Islands, an isolated community on the South-Eastern seaboard of the USA, more in touch with African traditions than other black Americans.The three generations depicted in the film are at a crossroads: the younger Peazants are about to move to the North, leaving the elders behind in the South. Th film's dialogue is in Gullah, a vivid and poetic patois reminiscent of street Jamaican. Dash and her cinematographer, her then husband Arthur Jafa, have achieved a Read more ...
Adam Sweeting
“The northern white rhinos are just a symbol of what we do to the natural world,” as one of the contributors to this haunting documentary put it. “We witness them disappearing in front of our eyes.” The programme ended with names of endangered animals jostling for space on the screen, from hawksbill turtles and the South China tiger to whales, orangutans, the red panda and the snow leopard.This story of the 43-year-old rhino Sudan, named after the homeland from which he was whisked away as a baby to be installed in Dvůr Králové zoo in Czechoslovakia (as it then was), was a terrific Read more ...
Kieron Tyler
In Summer 1973, Manu Dibango’s “Soul Makossa” peaked at 35 on the American charts. Originally the A-side of a France-only single issued in 1972, the song had been discovered by New York DJ David Mancusso. After Mancusso repeatedly played it, “Soul Makossa” was licensed by Atlantic, charted and became integral to what was bracketed as disco music. The Cameroon-born Dibango had been making records under his own name since 1961 and “Soul Makossa” was his breakout track. So much so, he recorded a reconfigured version to advertise Toyota cars. “Happiness on the African road” was guaranteed.As a Read more ...
mark.kidel
The river of sound from Mali never stops flowing. War in the Sahara and the constant threat of Jihadists haven’t stopped the ceaseless wave of creativity that surges through the West African country.The Malians speak of music giving courage, of song’s capacity to warm hearts. Vieux Farka Touré’s latest in a line of splendidly "encouraging" albums is guaranteed to move, get you up on your feet. and celebrate. The Touré family aren’t griots or praise-singers but members of the warrior caste, and their hereditary vocation is palpable in the great power of their music.A massive counterblast to Read more ...
Peter Culshaw
New global sounds this month include tracks from the scintillating new album from Malian diva Oumou Sangaré, electro-Sufi grooves, Afro-folk from Koral Society, the soundtrack from They Will Have to Kill Us First (about the struggle of Malian musicians against extreme Islamicists) and classic Cuban nostalgia from Celina González and Estrellas de Arieto. Not to mention some contemporary Japanese composition and São Paulo Frippertronics. TO LISTEN TO THE SHOW CLICK HERE 1. Quantic feat Nidia Góngora – “E Ye Ye”2. Tinariwen – “Tiwayyen”3. Oumou Sangaré – “Bena Bena”4. Read more ...
howard.male
This is a bit of a curiosity. Kasai Allstars were bought to our attention by producer Vincent Kenis almost a decade ago, after he’d had great success with those masters of the amplified thumb piano cacophony, Konono 1. Though the Allstars also have a fondness for thumb pianos (likembe) played through cranky homemade amps, their music has more space and melodic content and utilises a greater variety of instruments. In fact, listening to them is such a seductive, transportive experience that it comes as a surprise when, three edgy, buzzy, trancy songs in, a classical vocal choir imposes its Read more ...
Peter Culshaw
Mulatu Astatke has carved out a particular niche within music. He is a one-off purveyor of what Brian Eno called “jazz from another planet”, smoky, mysterious and playful. He’s about the only artist you could describe as both transcendent and sleazy. The sleazy bit is mainly due to the colours of the horns and vibraphone, suggesting a less than salubrious nightclub, and he himself has something of the demeanour of a lounge lizard.He studied classical music at Trinity College in London at more or less the same time as that other musical visionary, Fela Kuti ( I’d pay to watch a docudrama of Read more ...
howard.male
Because so many African albums that get an international release feature tastefully neutered acoustic guitar, pretty scatterings of kora notes, and lyrics centred on some imagined ideal Africa, it is a blessed relief to hear something as punchy, confrontational and insistent as this explosion of beats and hollering from Ghana’s King Ayisoba. What’s also incredibly canny about this record is how the producer Arnold de Boer (of the excellent Dutch post punk outfit the EX) manages to throw in electronica atmospherics and hip hop bottom-end without it for one moment sounding forced or Read more ...
mark.kidel
Tamikrest’s fourth album is well-presented, good enough, but a little hamstrung by what have become the clichés of the modern Touareg genre: the lilting rhythms of a camel cruising slowly across the dunes, intertwined guitars that smoothly swirl bewteen old Tamashek melodies and gentle riffs that might have come from the Deep South. The lyrics touch on the politics of the Southern Sahara, and the Touaregs’ tragic position at the mercy of conflicting interests – political, economic and religious.Music that bewitches around a campfire, under the vast canopy of the Milky Way doesn’t have the Read more ...