CDs/DVDs
mark.kidel
Synths has a special attraction in a world that aspires to modernity. Thirty years ago Algerian Rai, which combined elements of traditional North African music with rock, was characterised by the sweet and slight tinny sound of electronic keyboards. Slightly tweaked they could imitate the harmonics and microtonal universe of Arab music. Now they are all over Africa, as well as in the super-charged dabke wedding music of Omar Souleyman and many other places.Jantra is a star of underground dance music in Sudan. His first album has been pieced together very creatively from existing material Read more ...
Thomas H. Green
Brit alt-indie outfit Django Django refuse easy categorisation and, as a result, during a decade-plus career, have never quite found their place with the wider public. Critical acclaim has come their way, and those who’ve kept an ear open know their catalogue contains gems (“First Light”, “Hail Bop” and “In Your Beat” spring to mind) as well as great remixes.Their fifth album is a 21-track monster, with multiple guests. An explicitly stated attempt to blast off in all directions, away from any usual working practices and templates, it’s mostly a success.Let’s get the classic music-journo- Read more ...
peter.quinn
From the celestial vocal harmonies of “Call The Tune” and insistent looped rhythms of “Omnipuss” (in which you feel the spirit of Miles’s On The Corner), to the Sly Stone-esque “Clear Water” and intensely vital “Vuma” (featuring South African vocalist and songwriter, Thandiswa, plus vibist and label mate, Joel Ross), this Blue Note debut from the singularly great multi-instrumentalist, vocalist and songwriter Meshell Ndegeocello presents a treasure trove of musical memories.Like her 2018 album Ventriloquism, The Omnichord Real Book appears to channel a desire to transcend narrow genre Read more ...
Thomas H. Green
Yusuf/Cat Stevens’ latest combines his apparently effortless immediacy at acoustic guitar songwriting with an orchestrated opulence that sometimes pushes the sound towards the realms of musical theatre. Lyrically, he’s in fine form too, but what will likely define many listeners’ response to the album is how they feel about his repeated and passionate belief in God, which permeates everything.This review is not the place to unpack Yusuf/Cat Stevens’ complex 50+ year journey from spiritual Sixties/Seventies troubadour to hardcore Islamic devotee to relaxed-Muslim-who’s-rediscovered-his-inner- Read more ...
Cheri Amour
When McFly returned to our loudspeakers in the summer of 2020 with Young Dumb Thrills, the record marked their first in a decade. The foursome, comprised of guitarist/vocalist Tom Fletcher, bassist/vocalist Dougie Poynter, guitarist/vocalist Danny Jones and drummer Harry Judd, had no qualmed about admitting the struggles that'd faced coming back together as a band (their lackluster 2010 release, Above The Noise, was very much the sound of a group hitting peak commercial heights with the overprocessed artwork and digital sounds to match).But, whatever your preconceptions of a band like McFly, Read more ...
Thomas H. Green
Tony Kushner’s early 1990s play Angels in America is an epochal, mystical, political, state-of-the-nation address, revolving around the AIDs epidemic. By no means straightforward, its narrative runs the gamut from New York’s gay scene to God’s own sexual proclivities, via the ghost of executed Cold War spy Ethel Rosenberg, the fall of the Soviet Bloc and much else. At over three-and-a-half-hours long, it’s not for the fainthearted. Neither is the new concept album from Christine and the Queens, which is inspired by it.Described by its creator as “the second part of an operatic gesture that Read more ...
joe.muggs
There’s been a good deal of discussion on “the socials” about how much Janelle Monáe’s sexy image is a new thing or a big deal.Casual viewers, still stuck on the suit-wearing image with which she crashed into public consciousness in 2010, have acted shocked at her going almost or completely unclad in recent videos and shoots. In turn fans have pointed out the obvious – that her outré sense of fashion and costumery has manifested in many ways over the years, including in plenty of flesh-baring. However, while her looks may have pre-empted it, artistically Monáe really has made a Read more ...
graham.rickson
Mario Bava and Dario Argento are cited as key influences on Robert Sigl’s debut feature Laurin (1989). British viewers will also be reminded of the series of MR James ghost story adaptations broadcast by the BBC in the 1970s; a glimpse of a murdered child peering through a window eerily similar to a terrifying sequence in Lawrence Gordon Clarke’s macabre Lost Hearts. Éva Martin’s ornate, candle-lit sets are also redolent of vintage period drama.Sigl was in his mid-twenties when he wrote and directed Laurin, and it’s a surprise to learn that such a bold, confident debut didn’t lead to greater Read more ...
Tom Carr
In 1995 Dave Grohl returned with a new project and album, called Foo Fighters, following the death of Nirvana band-mate and close friend Kurt Cobain. Given his close connection with Kurt, and his avoidance of the media spotlight, this new album was pored over by many for any reference to Cobain or Nirvana.Fast forward to 2023, Foo Fighters are arguably the pre-eminent rock band with their huge, stadium rock sound infused with punk energy and melodic sensibilities. But they return with a new album following a year of deep, personal hurt once more: long time drummer Taylor Hawkins passed away Read more ...
Harry Thorfinn-George
At first, I misread the title of the lead single “Seaforth” from King Krule’s fourth album, Space Heavy, as “Sea Froth”. It felt like a fitting title, combining the watery motif that runs through all of Archy Marshall’s music with a grimy image of frothy, decaying algae. This was after all the same artist whose 2017 album, The Ooz, was named after human gunk.Whereas King Krule’s past three albums have felt submerged in murky water, “Seaforth”´s jangly riff and the sound of waves on the shore hinted at the nihilistic troubadour from South London coming up for air. On the track, it felt Read more ...
Cheri Amour
Five years ago, breaking dry January a few days early, I joined a throng of folks amongst the merch boxes and strip lights of Rough Trade East to see Dream Wife. The London-based trio has come a long way since those small-scale shows in the backroom of a Brick Lane record shop.Their last release, So When You Gonna… was the only indie album recorded and produced by all women at the time to break into the Official UK Top 20 album charts. And they’ve shared the stage with the bands who likely informed them to pick up their instruments, opening for Garbage and The Kills across North America.Half Read more ...
Kathryn Reilly
This is a slight album in terms of length (under half an hour) but not in emotional insight. It’s absolutely haunting. Here we have the characteristic all-consuming melancholy that oozes from Baxter Dury but without the menace of Prince of Tears. And his f*cked up childhood still takes centre stage. From the off, he’s poking at his own ego and the struggle for familial understanding. “Hey mummy, hey daddy, who am I?” he asks, mockingly, at the start of “So Much Money” (later remembering “potato-faced ancestors”). Not far from the age Ian Dury was when he died, Baxter is a father himself Read more ...