CDs/DVDs
graham.rickson
Misdirection is at the heart of Le Cercle Rouge. The Buddhist quote that opens Jean-Pierre Melville’s 1970 thriller – "when men, even unknowingly, are to meet one day… they will inevitably come together in the red circle” – is fake, written by the director, whose entire career was spent working under a pseudonym. The casting of André Bourvil as Inspector Mattei would have wrongfooted contemporary French audiences, used to seeing the actor in light comedies. Then there’s the celebrated heist sequence, dialogue-free and playing out in real time, the outcome of which may surprise.We first Read more ...
Lisa-Marie Ferla
Now this is exactly what I want for Christmas: a beloved fixture of Saturday afternoon TV putting a lounge jazz spin on some festive classics, backed by an 18-piece swing band. …And a Happy New Year is, somewhat implausibly, the second holiday collection in as many years from Chris “Kammy” Kamara – last year’s debut being the sort of unexpected Top 10 success to justify another run for the former professional footballer turned genial Sky Sports pundit and occasional light entertainment star.With Rudolph, Frosty and the rest of the lowest-hanging festive fruit anchoring last year’s Read more ...
Demetrios Matheou
The big talking points of Martin Scorsese’s lauded return to the gangster genre, 2019’s The Irishman, were his reunion after 25 years with Robert De Niro and Joe Pesci, and the state-of the-art “de-aging” process that enabled that pair and Al Pacino to play their characters over a period of 30 years. Just as significant as these factors, however, was the new thematic dimension and depth that Scorsese and his collaborators brought to the genre – the perspective of time, the poignancy that comes with the realisation that even killers grow old, become regretful, suffer the effects of Read more ...
Barney Harsent
After a 16-year wait for the second album from Australian sample-stitchers The Avalanches, their third, a mere four years later, feels like a rush release by comparison. We Will Always Love You has been preceded by no fewer than four singles which, while welcome, are in danger of distorting the overall picture slightly.While it could still be broadly catagorised as hip-hop and psychedelic pop, We Will… is a more thoughtful collection, peppered throughout with considered call-backs to connecting themes of distance, loss and transcendence. And while the quality isn’t always consistent, the Read more ...
Thomas H. Green
Doncaster musician Dominic Harrison – Yungblud – appeared a couple of years ago, a self-proclaimed punk, alive with vim and righteousness, touting music that, loosely speaking, fused the snarling northern outrage of Arctic Monkeys with hip hop-tinted power-pop. It was a lively combination and his debut album, 21st Century Liability, had its moments. Since then, his profile has raised dramatically, a cult Gen Z figurehead, his appearance an impressive, sexually fluid spin on Keith out of The Prodigy. This album could be the one that supernovas him – it’s catchy enough – but it does so by Read more ...
joe.muggs
Dance music has a notably different relationship to its past than other kinds of music. This has a real, material basis: because its core experience is that of the mixed DJ set, in principle nothing is ever the same twice, elements are constantly combined and recombined, so past and present are constantly churned together in new contexts. Once a style is established, it never completely stops being current, because its main riffs, samples or tracks are reused and remixed enough to maintain familiarity with every new generation of listener/dancer. “Revivals” of acid, dub, hardcore and what Read more ...
Guy Oddy
The Covid pandemic has meant, with both performance and recording opportunities at a minimum, that many musicians have had to apply a bit of lateral thinking to keep their creative juices flowing. Nick Cave, of course, is not renowned for running with the pack, and used his time by performing his Idiot’s Prayer solo show in front of cameras at the Ally Pally early in the lockdown period. However, not one to stand still, he has now gone further leftfield by writing the libretto for Nicholas Lens’ chamber opera L.I.T.A.N.I.E.S.Cave and Lens have had previous experience of working together, with Read more ...
Daniel Baksi
In his exclusive half-hour-plus interview for distributor Second Run, the affable Tsai Ming-Liang makes a striking admission: “I make very uncommercial films.” Viewers of the extra will most likely have just finished Goodbye, Dragon Inn (Bú sàn) (2003), Ming-liang’s feature-length exploration of precisely everything that comes of those pesky “uncommercial films”. That is, a decrepit, old picture-house on the outskirts of Taipei, hosting its last ever screening – of King Hu's 1967 sword-fighting classic Dragon Inn – complete, or incomplete, with leaky ceilings, and a thoroughly Read more ...
mark.kidel
Odin’s ravens Huginn (thought) and Muninn (memory) are the great Norse god’s messengers, at the heart of a myth that was borrowed in watered-down form for Game of Thrones. The myth inspired a suite of pieces by Sigur Rós and a star-studded group of Icelandic friends and collaborators. Unreleased for many years, and only performed a few times, this recording from a Paris concert in 2002 will delight the band’s fans, as well as intriguing admirers of "post-rock" or contemporary classical.The band’s moody and cinematic style is very much present: wide swathes of sound, conjuring landscapes Read more ...
Saskia Baron
The BFI has done an excellent job of giving La Haine the 4k restoration treatment under the vigilant eye of the film’s cinematographer, Pierre Aïm. From the opening image of planet earth being torched by a slo-mo Molotov cocktail to the shocking final moments, this is a stunningly handsome film. It’s hard to believe Matthieu Kassovitz’s blistering tale of three young men fired up by police brutality is now 25 years old as the film has lost none of its incendiary energy and style.Kassovitz sets the scene with an archive montage of the 1993 riots that broke out in Paris after the Read more ...
Thomas H. Green
Tankus the Henge are one of Britain’s most energized, entertaining and spirit-raising live bands. If they were allowed to endlessly tour the nation, exempt from lockdown rules, they could eliminate the COVID blues, concert by ebullient concert. They have not, however, in their decade-plus history, achieved crossover success, despite their two previous albums being joyous festival-friendly romps. For those who enjoy their sing-along burlesque, their latest is a welcome addition to the canon.The qualification of the last sentence is important. Tankus the Henge are an acquired taste, their Read more ...
joe.muggs
Miley Cyrus has always been, broadly, A Good Thing. A Top Pop Star. A sassy, funny, puritan-scaring, omnisexual chaos monkey at the heart of pop culture, doing pretty much whatever she fancies when she fancies. Not that this has always meant she’s made good music, mind you. Over her six previous albums, she’s swerved through bubblegum pop, EDM, trap, Broadway showstoppers, raging dubstep, faux-lo-fi psychedelic chillwave (with The Flaming Lips in tow), straight country, and the rest. And while there have been gems at each stage of her career, there have also been quite a few hot messes along Read more ...