Film
Nick Hasted
A boy’s dead friend scratching at his first-floor window, Nosferatu-like vampire Barlow rearing up with heart attack shock…The Texas Chain Saw Massacre director Tobe Hooper’s 1979 TV take on Stephen King’s Salem’s Lot scared a teen generation out of their skins.This new film exists first as a failed franchise equation, adding Conjuring Universe producer James Wan to IT screenwriter Gary Dauberman as writer-director (he also wrote The Conjuring’s Annabelle series), but suffering heavy cuts prior to this much delayed release.King’s Salem’s Lot was a textured depiction of a Yankee small- Read more ...
Adam Sweeting
ConclaveDirector Edward Berger won an Oscar for his last feature, All Quiet on the Western Front (2022), but here he concerns himself with the more intimate and claustrophobic battlefield of the Vatican. The Pope (Bruno Novelli) has died, and under the watchful eye of the Dean, Cardinal Lawrence (Ralph Fiennes), the cardinals gather to appoint his successor. No-one said it would be easy.The opulent gloom and aura of centuries-old secrecy that swathe the Holy City provide fertile soil for this tale of clandestine machinations and carefully camouflaged lust for power (Berger and screenwriter Read more ...
Sarah Kent
“The ocean is our home… Even in my next life I will dive again,” says Geum Ok, one of a band of female divers from Jeju, a volcanic island 60 miles south of the Korean peninsular.Sue Kim’s documentary follows these brave Haenyeos as they plunge into the chilly waters to harvest sea urchins, conch, abalone and octopus. Wearing only a wet suit, mask and flippers, they descend into the depths, holding their breath for minutes on end before surfacing to store their catch in floating nets.It’s hard work and extremely dangerous, points out Soon E Kim, a member of the committee tasked with Read more ...
Hugh Barnes
Unlike the controversial Netflix show Baby Reindeer, which challenges many of the same attitudes towards sexual harassment, self-delusion, and stalking’s gender bias, Alice Lowe’s second feature as director, writer, and star does not bill itself as a true story.Quite the opposite, in fact. Timestalker is totally – and delightfully – bonkers right from its first scene, set in 1688 against a backdrop of the Scottish Covenanter uprising, where Agnes, a dowdy spinster (played by Lowe herself and introduced, literally, at a spinning wheel) falls headlong in love at a public execution, again quite Read more ...
Justine Elias
Before Alice Lowe wrote her first short film scripts, she was, despite success in television and theater, “terrified” of making a full-length feature. “I thought it was some untouchable Holy Grail. That you have to be somehow inducted before you’re allowed to breathe the word ‘film'." She's not terrified these days. Timestalker, Lowe’s second feature as director, writer, and star, is a fully realised passion project in every sense.In the history-hopping romantic comedy-thriller, Lowe portrays an obsessed heroine in pursuit of her dream lover – whether he cares or not. From the Stone Age and Read more ...
Markie Robson-Scott
“I like laws and rules,” Steph (Jeany Spark), a jaded primary school teacher, tells a pet-shop employee – she’s adopting a cat, though that venture is doomed to failure - defensively. “They’re what separate us from the monkeys and chaos.”In Portraits of Dangerous Women, a quirky, small-scale movie directed by Swiss film-maker Pascal Bergamin and shot in Surrey and Sussex, rules are broken in a mild way. No one is very dangerous here, though the intimidating, boiler-suit-wearing Tina (Tara Fitzgerald), the school caretaker, went to prison for money-laundering, taking the rap for her ex.The Read more ...
Nick Hasted
Time-travel is a trap in debutante Michael Felker’s tender sf two-hander, whose title’s grim irony becomes gradually apparent.There’s golden American promise in the sun and shadow of the diner where Joseph (Adam David Thompson) meets sister Sidney (Riley Dandy, pictured below), cinematographer Carissa Dorson capturing Seventies New Hollywood’s elegiac glow. Joseph has just robbed a bank in the present day, and effects an unlikely getaway through a nearby farmhouse’s previously rumbled time-portal, letting the pair hide in the past till the heat dies down.What seems a sure-fire bolthole in Read more ...
James Saynor
“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing good business for Hollywood before and since.We root for them and we don’t root for them at the same time, which is perhaps why not everyone in Hollywood has agreed with the hotcake thing. Queasy marketeers have often underestimated the likely box office of mad-killer pics – from Psycho (1960) through The Silence of the Lambs (1991) and then on to Todd Phillips’s Joker, which was also seen as a bit of a gamble by its studio in 2019.The Warner Bros sequel to that Read more ...
Saskia Baron
The Battle for Lakipia is a beautifully filmed and thoughtfully directed documentary that was made over a two-year period. Its focus is the conflicting claim to Kenyan land made by white ranch owners of English descent and the indigenous pastoralist people. In the 60 years since Kenya gained independence from Britain, tensions between the descendants of colonial Europeans and Kenyans have flared up periodically, and in recent years climate change has added fuel to the fire.Global warming has led to longer and more terrible droughts that scorch the grasslands and make it impossible Read more ...
Graham Fuller
The Old Man and the Land depicts a worn-out sheep farmer going about his dreary business as the seasons pass, darkly and dankly. He does it because he’s always done it, and because he doesn’t trust his 42-year-old daughter, Laura, despite her farming skills, or his 40-year-old son, David, the farm’s heir but an alcoholic and drug user who is unsuited to the work, to take it over.Played by the craggy non-professional actor Roger Marten, frequently shot in closeup, the farmer, a solitary widower, never speaks. Played by Emily Beecham and Rory Kinnear, Laura and David, each of whom covets the Read more ...
Nick Hasted
“What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis Ford Coppola’s forty years in the making, self-financed epic is studded with such self-implicating bravado, including a wish to “escape into the ranks of the insane” rather than accept conventional thinking, as if at 85 he is not only Cesar but Kurtz, plunging chaotically upriver again, inviting career termination.Coppola subtitles Megalopolis “a fable”, and its tale of an imperious architect fighting venal New Rome’s Mayor Cicero (Giancarlo Read more ...
Hugh Barnes
It’s hard not to review the Israeli occupation of Palestine when writing about The Teacher. The political context of this first feature by British-Palestinian director Farah Nabulsi, who also wrote the screenplay, is so thoroughly appalling that it sometimes overshadows the TV-style melodrama onscreen.In one scene, for instance, West Bank teenager Adam (Muhammad Abed Elrahman), burning with anger and grief – his house has been bulldozed and his brother shot dead by a Jewish settler – sits down in front of the evening news: “Bombs continued to pound Gaza today,” announces the unseen newsreader Read more ...