Classic Brits 2011

Arvo Pärt: A political classic

In case anybody had the bizarre notion that the Classical Brits was getting a trifle too classical, the 2011 version of the event was rebranded as the Classic Brit Awards. That would seem to open the door to almost anything - classic rock perhaps, or classic schmaltz (well, waltzmeister Andre Rieu did win Album of the Year). The night climaxed with Dame Shirley Bassey singing "Goldfinger", capping a tribute to the late John Barry, and sounding nowhere near as "classic" as she used to.

Stage musicals comfortably make the cut, with Alfie Boe and the cast of Les Misérables taking the stage for a jog through a medley which included "Bring Him Home" and "One Day More". There was room for the unspeakable too, in the shape of Il Divo, Simon Cowell's grooming-product-encrusted squad of male models laughably given the Artist of the Decade award (pictured below).

Il_Divo_trimYet there was room for "proper" classical artists, with gongs going to trumpeteuse Alison Balsom (Female Artist of the Year), violinists Tasmin Little (Critics' Award) and Vilde Frang (Newcomer Award), and conductor Antonio Pappano (Male Artist of the Year). Anne-Sophie "call me Miss" Mutter whizzed through a chunk of Vivaldi's Four Seasons with all strings blazing, while Eric Whitacre conducted his Eric Whitacre Singers in Sleep.

But surely politics and the Classic Brits can't mix? Only if you're Arvo Pärt. The esteemed Estonian was named Composer of the Year, and dedicated his award to "Russia's number one political prisoner, Mikhail Khodorkovsky, who has become a victim of state judicial terror." Now that's what I call classic. Wonder if that'll make it into ITV1's broadcast of the show on 29 May.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more classical music

From 1980 to 2025 with the West Coast’s pied piper and his eager following
A robust and assertive Beethoven concerto suggests a player to follow
Broad and idiosyncratic survey of classical music is insightful but slightly indigestible
British ballet scores, 19th century cello works and contemporary piano etudes
Specialists in French romantic music unveil a treasure trove both live and on disc
A pity the SCO didn't pick a better showcase for a shining guest artist
British masterpieces for strings plus other-worldly tenor and horn - and a muscular rarity
Adès’s passion makes persuasive case for the music he loves, both new and old