Hugo Glendinning
Space is a great subject for theatre. I’m not sure why but it might be something to do with the contrast between the irreducible groundedness of live performance and the imaginary flights of fancy that the audience yearns to take. Whatever the reason, memorable past explorations of this subject, from the Soviet side of the space race, include Robert Lepage’s The Far Side of the Moon and David Greig’s The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union. Now Rona Munro, whose new play opened last night, once again boldly goes deep into the history behind the first man in space.