New Music Reviews
Nick Cave and the Bad Seeds, Her Majesty's TheatreMonday, 11 February 2013
“You grow up. You really do. You mellow out…Your rage ceases to need a name,” Thus wrote Cave at 40, while moving out of his post-punk years. Ten years later the Australian goth returned to the wilder sounds of his youth. He started playing with the hard-rocking Grinderman. Fast forward to the present day and Grinderman is on pause. The Bad Seeds are back. Last night they launched Push the Sky Away, their first album for five years. So, what was it to be? Tender or tormented? Read more... |
Kraftwerk: The Man Machine, Tate ModernSunday, 10 February 2013
A giant arm sweeps across the rapt audience. The newly anointed onlookers all wear the same, white-framed, glasses. A chant is heard:“We are the robots.” Those congregating in the over-sized shoebox of Tate Modern’s Turbine Hall could be at a cult meeting. In gathering to pay respect, the audience share more than a passion for Kraftwerk. They also all wear the same 3D glasses. Read more... |
Reissue CDs Weekly: Conny Plank, Pied Piper, Jean-Luc Ponty, Cliff RichardSunday, 10 February 2013
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When Albums Ruled the World, BBC FourSaturday, 09 February 2013
The BBC has suddenly noticed that there used to be these really brilliant things called "albums", and now they're going out of style and out of date. Hence they're holding an Albums Season in all media (Danny Baker's Great Album Showdown, Steve Wright's Album Factoids, Johnny Walker's Long Players and many, many more). Read more... |
Rolf Harris, Royal Festival HallSaturday, 09 February 2013
Two very different Antipodeans are performing in London over the weekend. Having seen Nick Cave more times than you can shake a didgeridoo at, the time has come for this reviewer to scrutinise Rolf Harris – pop star, painter of the Queen, sentimental presenter of cuddly animal shows. Read more... |
Kraftwerk: Radio-Activity, Tate ModernFriday, 08 February 2013
“Tschernobyl… Harrisburg... Sellafield… Fukushima” reads the display above the four figures standing impassively below like toys, suddenly turning these harbingers of the computer age into proselytisers for an anti-nuclear energy policy. Read more... |
Kraftwerk: Autobahn, Tate ModernThursday, 07 February 2013
Childlike wonder is a rare emotion at a gig, so gasps of delight are doubly jolting as the first images appear to float out of the mammoth screen behind the stage and float over our heads. These are notes of musical notation that cascade from a car radio at the moment when the dial shifts in "Autobahn", the track where Kraftwerk’s concepts first properly coalesced and that gave their breakthrough album its title. Read more... |
Reissue CDs Weekly: Marcos Valle, Five Star, Julian Cope, Carlos NúñezSunday, 03 February 2013
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Jane Birkin, Cadogan HallFriday, 01 February 2013
The notice saying “table reserved for Lord Chelsea” in Cadogan Hall’s foyer bar instantly signalled this show was likely to be more rarefied than your normal pop concert. It was in keeping with the grandeur of this early 20th century, Byzantine-style former church a minute from Sloane Square. The tone was further elevated by this being a rare, small-venue British outing for Jane Birkin, an actual, proper star. Read more... |
CD: Wayne Shorter Quartet - Without A NetWednesday, 30 January 2013
Truly an ensemble cast, the Wayne Shorter Quartet's playing on Without A Net - marking Shorter's return to Blue Note Records after 43 years - fuses disparate elements into something transcendent and utterly original. From the slow burn of “Myrrh” to the searching, high-velocity romanticism of “Starry Night”, two of six new Shorter compositions featured, the album takes small group music-making to another dimension. Read more... |
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