thu 27/02/2025

New Music Reviews

The Tiger Lillies, Southbank Centre

Tom Birchenough

The last two years have seen the Tiger Lillies hit a prolific peak of activity, to be found as often on the theatrical as the concert stage, drawing on plenty of influences from outside the UK to boot.

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The Stone Roses, Finsbury Park

Bruce Dessau

When the Stone Roses first made a splash with their eponymous debut album in 1989 they were almost perfect. The only mistake was a brief flirtation with flared trousers. Nearly a quarter of a century on in north London the strides were strictly straight-legged. The only flares were the red ones some clot in the audience kept lighting. I don't envy his prospects if health and safety ever get hold of him.

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Elvis Costello & The Imposters, Royal Albert Hall

Kimon Daltas

Comebacks may be all the rage but Elvis Costello just keeps on going. It's the third year running that he has taken his band The Imposters on the Revolver Tour, featuring The Spectacular Spinning Songbook: a giant carnival wheel of songs which audience members are brought on stage to spin and dictate the set list.

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Rod Stewart, O2 Arena

Peter Culshaw

For certain types (yes, I was that serious-minded teenager) in the late Seventies Rod Stewart made a convenient hate figure – a coke-snorting dinosaur with interchangeable blondes on his arm who, having made some decent records, was now making banal ones like “Do Ya Think I’m Sexy” (and that was one of the better ones). Last night, the only moment Rod looked slightly embarrassed was singing that travesty of Disco, at 68.

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The Stone Roses: Made of Stone

Kieron Tyler

Titling their long-delayed second album The Second Coming meant The Stone Roses had run out of religious metaphors for their 2012 reunion. They already had a song called “I Am the Resurrection”. Still, with super-fan director Shane Meadows on hand to capture their return, actions spoke louder than words. At their homecoming concert in Manchester’s Heaton Park, he caught their singer Ian Brown touching the outstretched hands of the faithful, anointing them with his mystic power.

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Barbra Streisand, O2 Arena

David Benedict

It opened with a standing ovation. And in a place the size of the 02 – the venue put on this earth to make Luton airport feel better – that’s impressive. It was that kind of evening: not so much Streisand in concert as an opportunity for worshippers at Barbra’s shrine to do a whole lot of basking in her genuinely unparalleled glory. Fifty years at the pinnacle of popular music is not to be sneezed at.

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Reissue CDs Weekly: Ian Dury, Tom Moulton, José Feliciano, Archie Shepp

Kieron Tyler

 

Ian Dury Lord Upminster Ian Dury: Lord Upminster / Ian Dury & the Music Students: 4,000 Weeks Holiday

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Ute Lemper, Queen Elizabeth Hall

Sebastian Scotney

The show which Ute Lemper brought to the Queen Elizabeth Hall as part of the London Literature Festival - “Pablo Neruda: A Song Cycle of Love Poems” - is brand-new; the six-piece band (with which she has just recorded it, and which will be touring it) was performing it live for the first time.

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Depeche Mode, 02 Arena

Bruce Dessau

Even the most committed lover of long odds would not have bet on Depeche Mode still being this big when they first tinkled their way into the charts over three decades ago. The smart money would probably have been on them now playing, at best, to a medium-sized Marc Almond-style devoted audience or, at worst, joining nostalgia packages alongside one-time fellow hipsters ABC.

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Matthew and Me, Notting Hill Arts Club

Miles Ellingham

Totnes indie-folk band Matthew and Me took the stage at Notting Hill Arts Club fresh from a stint at the legendary Rockfield. Like many other bands to have recorded at the Welsh studio (which has hosted everyone from Black Sabbath to Coldplay), they seemed energised by the experience, their melodies injected with a passion and confidence, and an overall sound that carries a hint of Sigur Ros with its swirling keyboards, guitars and vocal harmonies.     

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